Download A Franz Kafka Encyclopedia by Richard T. Gray, Ruth V. Gross, Rolf J. Goebel, Clayton PDF

By Richard T. Gray, Ruth V. Gross, Rolf J. Goebel, Clayton Koelb

Filenote: PDF retail from EBL. i'm really not yes if its vector or now not - as I dont know the way to scientifically inform. Its seems to be great and fresh. TOC bookmarked.

Known for depicting alienation, frustration, and the victimization of the person by means of impenetrable bureaucracies, Kafka's works have given upward thrust to the time period Kafkaesque. This encyclopedia info Kafka's existence and writings.

Included are greater than 800 alphabetically prepared entries on his works, characters, relations and associates, topics, and different themes. lots of the entries cite works for additional interpreting, and the Encyclopedia closes with a specific, common bibliography.

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Absurd. Perhaps the broadest and most general rubric under which Kafka has been read widely is that of the absurd. This category can be traced back to the Commedia dell' Arte and Shakespeare, surrealism and Dada, and culminates in twentieth-century authors such as the Existentialists Jean Paul Sartre and Albert Camus, or in the works of Eugene Ionesco and Samuel Beckett. At the center of the absurd lies the idea that human existence is utterly without metaphysical purpose or rationality and out of harmony with the universe.

Justin O'Brien (New York: Knopf, 1955), 124-38; Martin Esslin, The Theater of the Absurd, rev. ed. (Harmondsworth: Penguin, 1968); Charles I. Glicksberg, "Franz Kafka, the Prophet of the Absurd," The Literature of Nihilism (Lewisburg: Bucknell UP, 1975), 125-41; Arnold P. Hinchliffe, The Absurd (London: Methuen, 1969); Claude-Edmonde Magny, "The Objective Depiction of Absurdity," The Kafka Problem, ed. Angel Flores (New York: New Directions, 1946), 75-96. "Die A b w e i s u n g " ("The Refusal").

Since the end of the eighteenth century, art developed as an institution set apart from the praxis of modern bourgeois society, even while individual works of art—for example, the realistic novel—continued to make political statements on society and articulate the self-understanding of the bourgeoisie. In aes- 5 theticism, however, literature begins to thematize the segregation of art from society, turning self-reflexively upon itself and exploring its own aesthetic possibilities and limitations.

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