By Anne Perry
Prudence Barrymore, a skilled nurse who had labored with Florence Nightingale within the Crimea, is located strangled to loss of life in a London health center. deepest inquiry agent William Monk is engaged to enquire this awful crime. steadily, Monk assembles the portrait of a amazing girl. but he additionally discerns the shadow of a sad evil and a daunting glimmer of his personal eclipsed previous . . .
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Additional resources for A Sudden, Fearful Death (William Monk, Book 4)
Reynolds’s long-running novel series The Mysteries of London, which combined romanticised criminals and a carnivalised low life with contemporary political debates and radical sentiment. Like the sensation debate twenty years later, the Newgate controversy was a contest over the nature of the novel and its position in the hierarchy of cultural production in an age of increasing literacy and proliferation of print forms. This is evident in ‘A Word to the Public’, the polemic Bulwer attached in 1847 to Lucretia (1846), his ‘arsenical’ novel based on the story of Thomas Griffiths Wainewright (1794–1847), artist, forger and poisoner, which continued the Newgate controversy.
3 (Oxford: Oxford University Press, 1996), pp. 19–23. 10 Jonathan Swift, Gulliver’s Travels (1726), in Louis A. , Gulliver’s Travels and Other Writings, vol. 4 (Oxford: Oxford University Press, 1976), Bk. 4, Chap. 5, pp. 200–1. 11 John Gay, The Beggar’s Opera (1728), eds. Brian Loughrey and T. O. Treadwell (London: Penguin, 1986), Act 1, Scene 1, p. 43. 16 Eighteenth-century crime writing 12 Samuel Johnson, London (1738), in J. D. , The Complete English Poems (Harmondsworth: Penguin, 1971), p. 68.
Alternatively it might be seen as a post-reform tale of an unreformed legal and penal system, which allowed readers to identify with a boys’ own adventurer seeking to outwit a corrupt and oppressive ancien r´egime. Whatever the reasons for its popularity, this novel certainly re-ignited the Newgate controversy. Even before it had completed its serial run Jack Sheppard was attacked by the Athenaeum as ‘a bad book, and what is worse . . one of a class of bad books, got up for a bad public’. 27 Essentially the Athenaeum objected to what it (and other critics) saw as the Newgate novels’ inappropriate hybridity, or mixing together of what would be better kept 29 ly n py k e t t separate.