By Agatha Christie
Whilst Richard Abernethie, the grasp of Enderby corridor, dies his heirs gather on the colossal Victorian mansion to listen to the studying of the need. it truly is then that Cora, Abernethie's sister, comes out with an alarming notion: "But he used to be murdered, wasn't he?" day after today Cora is located brutally bludgeoned to loss of life in her domestic.
None except Belgian sleuth Hercule Poirot is summoned to Enderby in pursuit of the assassin. Suspects abound together with a wayward nephew unfortunate with girls and horses, a favourite and likely innocent sister-in-law, feuding nieces, a nosey housekeeper, and a disingenuous paintings collector.
Poirot needs to conjure all of his deductive powers as a way to unmask the killer and his ultimate end is an excellent and unforeseen as ever. After the Funeral is vintage Christie at her most sensible.
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Extra resources for After the Funeral (Hercule Poirot, Book 29)
We may note with a m used asto nis h me nt th at Warn er' Brothers an d RKO bega n p roducin g films agai ns t rac ketee ring in 1935 , the yea r in whi ch th e studios rea ched a n ag ree me nt with ra cketee rs to p reven t stri kes. O n these po ints, see Denise Hartsou gh , 'Crime Pays: The Stu d io's Labor Deal s in the 1930s ', Velvet Ught Tmp , no. 2:3 (Sprin g 1989), pp. 49-63. 52. I am well aware of the fact th a t th is sort o f argu men t identifi cati o n with a n actor has noth in g decisive abou t it an d th at in th e end it ex plai ns no thin g at a ll since logic wou ld dic tate that I estab lish what allowe d thi s id entificati on to occu r in the first place .
But at this point I propose to combine th e now obligatory sociological survey with a somewhat different inquiry, which touches on th e relationship between aesthetic value and closure of the Lukacsean 'to tality-e ffect'. Wh at makes this particular inquiry ex ceptionally verifiable, for Chandler, is th e presence , among the first four novels , of a book not normally thought to be one of his best , whi ch however turns out, ill our synoptic perspective, to contain some of th e all-tim e best and most memorable episodes in Chandler.
Finall y (fourth differen ce), it mu st not be forgotten th at Fr en ch cine p h iles were stunned by the erotic daring of Gilda 's glove , a fa ct to whi ch Sadoul's scandalized tone still bears witness in 1954 5 3 - as th e y were stu n ned by Phyllis Dietrichson's ankle bracelet (Double Indemnity) and th e ch o ru s girl' s o u tfit that Lana Turner sports in the middle of her restaurant (The Postman Always Rings T wice). World War Two and the newsreels had delivered a decisive blow to the system of ce ns o rs hip in operation since 1933, reality having taken upon itselfto extend the list of cr imes a nd horrors that could be looked at.